Báez

Wonderfast is a leading delivery company all year round, except on Christmas. In order to destroy Santa, they manage to infiltrate Genny Catalano, "The King of the Box" or more likely “The King of the Hoax”…

Follows a young man very passionate about music. He has to come to terms with an uncertain future while balances his loving life, family and Brazilian culture in New Jersey.

一對夫婦買下牧場鄰邊木屋，正當他們要搬進新屋之際，一場戲劇化的恐怖攻擊改寫了他們的命運。地獄來的怪客強佔了他們的小屋，阻斷食物供給，徹底將他們與文明隔離，過著野蠻人般生不如死的生活。女主人喪失心智出賣靈魂，而屋主也幾近崩潰極限，他們如何死裡求生？　　一對夫婦買下牧場鄰邊木屋，正當他們要搬進新屋之際，一場戲劇化的恐怖攻擊改寫了他們的命運。地獄來的怪客強佔了他們的小屋，阻斷食物供給，徹底將他們與文明隔離，過著野蠻人般生不如死的生活。女主人喪失心智出賣靈魂，而屋主也幾近崩潰極限，他們如何死裡求生？

"BobDylangoingelectric"atthe1965NewportFolkFestivalisoneofthoseepochalmomentsinrockhistorythatseeminglyeveryonehasheardabout,butwhatfewpeopleseemtoknowisthatitwasn’tsomeephemeraleventthatweonlyknowfromwordofmouth--filmmakerMurrayLernerdocumentedtheperformancesattheNewportFestivalforseveralyearsrunning,andTheOtherSideoftheMirrorcollectsfootagefromthethreeyearsDylanappearedatthecelebratedfolkgathering,allowingustoseeDylan’srisethroughthefolksceneforourselves.WatchingLerner’sdocumentary,what’smostremarkableishowmuchDylanchangedoverthecourseof36months;theyoungfolkieperformingattheafternoon"workshop"atthesideofJoanBaezin1963isatoncenervyandhesitant,singinghiswordytuneswhilechoppingawayathisacousticguitarandenergizingthecrowdwithoutseemingtoknowjustwhathe’sdoing.In1964,DylanallbutownsNewport,andheclearlyknowsit;he’sthetalkoftheFestival,withBaezandJohnnyCashsinginghispraises(andhissongs),andhiscommandofthestageisvisiblystrongerandmoreconfidentwhilehisnewmaterial(including"Mr.TambourineMan"and"ItAin’tMe,Babe")seeshimmovingawayfromthe"protestsongs"thatfirstmadehisname.WhentheaudiencedemandsanencoreafterDylan’seveningset(OdettaandDaveVanRonkwerescheduledtofollowhim),PeterYarrowtriestokeeptheshowmovingalongwhileDylanbeamsatthecrowd’sadulation,liketherockstarhewasquicklybecoming.Bythetimethe1965NewportFestivalrolledaround,Dylan’sepochal"LikeaRollingStone"wasstartingtoscalethesinglescharts,andthehardcorefolkaudiencewasclearlyoftwomindsabouthispopular(andpopulist)success.WhenDylan,FenderStratocasterinhand,performs"Maggie’sFarm"backedbyAlKooper,MikeBloomfieldandtherhythmsectionfromthePaulButterfieldBluesBand,theraucousbuthard-drivingnumberinspiresacuriousmixtureofenthusiasticcheeringandequallyemphaticbooing,andwhilelegendhasitthattheversionof"LikeaRollingStone"thatfollowedwasashambles,thesongcooksdespitedrummerSamLay’sdifficultyinfindingthegroove,thoughifanythingthedivisionofthecrowd’sloyaltiesisevenstrongerafterward.Afterthesetwonumbers,Dylanandhisbandleavethestage,withYarrow(onceagainservingasMC)citingtechnicalproblems(ifPeteSeegerreallypulledthepoweronDylan,aslegendhasit,there’snosignofithere);Dylanreturnstothestagewithanacousticsix-stringtosing"Mr.TambourineMan"and"It’sAllOverNow,BabyBlue"beforevanishingintothenightwithoutcomment.WhilemuchoftheaudienceatNewportin1965wantedthe"old"Dylanback,hisstrong,willfulperformancesevenontheacousticstuffmakesitobviousthatthescrappysemi-amateurwesawatthebeginningofthemoviewasgoneforever,andtheovationssuggestmorethanafewpeoplewantedtoseeDylanrock.Lerner’sfilmtellsusacertainamountofwhatwealreadyknows,butitgentlydebunksafewmythsaboutDylanduringthispivotalmomentinhiscareer,andhisperformancesarecommittedandforcefulthroughout;nomatterhowmanytimesyou’vereadaboutDylan’sNewportshoot-outof1965,seeingitisarevelatoryexperience,andLernerhasassembledthisarchivalmaterialwithintelligenceandtaste.Thisismust-seeviewingforanyoneinterestedinDylanorthefolksceneofthe’60s.

当一个年轻的偷车贼偶然发现本世纪的发明（以及想杀死他的各种政府机构），他和一个叫凯特的吝啬的结账员有一生的冒险。